Monday, January 28, 2013

Cool House Ceiling Design images

boissiere house study ceiling
house ceiling design
Image by nicholaslaughlin
Detail of the study ceiling in the Boissiere House, 12 Queen's Park West, Port of Spain, Trinidad. The gesso work is supposed to have been done by the Italian craftsmen who also did the Red House ceilings. Note the trompe-l'oeil "marble".

Designed by architect Edward Bowen; built in 1904; owned by the Boissiere family for 104 years. Now for sale, and in peril of being torn down.


Ancient bath house
house ceiling design
Image by Moriartys
Inside one of the bath houses, the ceilings were designed to prevent condensation from dripping down upon the bathers


York Minster Chapter House ceiling
house ceiling design
Image by kaysgeog
The Chapter House dates from 1290 and designed as an octagonal chamber where the Canons of York could discuss policy. The vault is suspended and the painted ceiling dates from 1798.

Europe's largest Gothic cathedral built between the 1220s and the 1470s on the site of a Roman basilica and Norman church.

Minster website www.yorkminster.org/visiting/
Minster history 70.86.220.251/learning/the-minsters-history/

Sunday, January 27, 2013

moon

moon
bangladesh house design
Image by www.MonjurulHoque.com


moon
bangladesh house design
Image by www.MonjurulHoque.com


moon
bangladesh house design
Image by www.MonjurulHoque.com


moon
bangladesh house design
Image by www.MonjurulHoque.com


moon
bangladesh house design
Image by www.MonjurulHoque.com

Cool Virtual Design House images

Finalist presentation – Software Design – Thailand, Skeet , Opera House July 7th 2010
virtual design house
Image by ImagineCup
eyeFeel allows hearing-impaired people to communicate with others via an augmented-reality environment. It combines speech and face recognition, converts it to English from text, and generates virtual conversation text balloons and sign language animation in real time.

Team:
Krithee Sirisith
Pichai Sodsai
Thanasunn Dilokpinitnun
Nonthawat Srichad

Mentor:
Asanee Kawtrakul


Finalist presentation – Software Design – Thailand, Skeet , Opera House July 7th 2010
virtual design house
Image by ImagineCup
eyeFeel allows hearing-impaired people to communicate with others via an augmented-reality environment. It combines speech and face recognition, converts it to English from text, and generates virtual conversation text balloons and sign language animation in real time.

Team:
Krithee Sirisith
Pichai Sodsai
Thanasunn Dilokpinitnun
Nonthawat Srichad

Mentor:
Asanee Kawtrakul


Finalist presentation – Software Design – Thailand, Skeet , Opera House July 7th 2010
virtual design house
Image by ImagineCup
eyeFeel allows hearing-impaired people to communicate with others via an augmented-reality environment. It combines speech and face recognition, converts it to English from text, and generates virtual conversation text balloons and sign language animation in real time.

Team:
Krithee Sirisith
Pichai Sodsai
Thanasunn Dilokpinitnun
Nonthawat Srichad

Mentor:
Asanee Kawtrakul


Finalist presentation – Software Design – Thailand, Skeet , Opera House July 7th 2010
virtual design house
Image by ImagineCup
eyeFeel allows hearing-impaired people to communicate with others via an augmented-reality environment. It combines speech and face recognition, converts it to English from text, and generates virtual conversation text balloons and sign language animation in real time.

Team:
Krithee Sirisith
Pichai Sodsai
Thanasunn Dilokpinitnun
Nonthawat Srichad

Mentor:
Asanee Kawtrakul


Finalist presentation – Software Design – Thailand, Skeet , Opera House July 7th 2010
virtual design house
Image by ImagineCup
eyeFeel allows hearing-impaired people to communicate with others via an augmented-reality environment. It combines speech and face recognition, converts it to English from text, and generates virtual conversation text balloons and sign language animation in real time.

Team:
Krithee Sirisith
Pichai Sodsai
Thanasunn Dilokpinitnun
Nonthawat Srichad

Mentor:
Asanee Kawtrakul

Saturday, January 26, 2013

Nice Free Design A House photos

Game Design Open House
free design a house
Image by vancouverfilmschool
Benjamin Colling, Head of Admissions at Vancouver Film School, welcomes Game Design Expo 2010 attendees to the free Open House at VFS’s Game Design program.

Learn about Game Design Expo at gamedesignexpo.com.

Find out more about VFS's one-year Game Design program at vfs.com/gamedesign


I've been Tagged! You get a free texture designed by me.
free design a house
Image by Courtney Tran
Texture is free for you to do what you wish, just please do not pass it as your own. :)

I've been tagged by the amazing Dessi, and now I must give up 16 random facts about myself, and in turn, I can tag 16 people of my choice. Fun!

1. I am obsessed with all things related to ancient civilizations and mythology.
2. I love to read. My pile of books to read is usually massive, I can never catch up.
3. My favorite part of the day is walking my oldest daughter to school in the morning, rain or shine.
4. I have way too many knick knacks, such as vases, candles, and decorative bowls-but I love them all too much to give any of them up. They're my treasures!
5. I have boxes of artwork done by my girls, I have a hard time parting with any of it.
6. I love the color green. It makes me feel at peace.
7. I drink large ammounts of herbal tea on a daily basis. I should probably drink more water.
8. I love chocolate.
9. I love to take long, hot baths. I was in for three hours a few nights ago, I came out quite wrinkled...lol.
10. I love fresh flowers in the house, especially anything wild.
11. I make hair bows and novelty hair clips for my daughters as a hobby. I love how excited they get when I make something new for them.
12. I love to bake cakes and cookies with my girls. I also love eating them together when we're done.
13. I am a total homebody. My entire family however, likes to go out and about all the time, so we do. I'm outnumbered!
14. When we do go out, I prefer being close to nature rather than the city. Nature trails, the beach, rowing a boat on the lake...
15. I absolutely loathe bugs, but i'll stop and look at them or even touch them, because my girls find them interesting.
16. My four great loves are my husband, my children, my family, and photography!

Whew! That was hard!




House of the Day #34: 3234 W. Washington Boulevard
free design a house
Image by reallyboring
This house at 3234 West Washington Boulevard, in East Garfield Park, is of multivalent significance, listed on the National Register and as a Chicago Landmark. Built in 1901, it was designed by George W. Maher. Maher was an early colleague of Frank Lloyd Wright, and the horizontality that so defined Wright's work shows up in this and many other of Maher's homes, melded with a variety of more traditional styles. Though Maher was one of the few Prairie School-linked architects never to work for Sullivan, the finely-carved arches, capitals, and molding on this house are all suggestive of Sullivan's influence.

This house, at least from the front, is far from the most remarkable of Maher's works. The house was built for Patrick J. King, but is remembered for its second occupant, Patrick Nash, who lived here from 1925 until his death in 1943. In 1931, Nash became chair of the Cook County Democratic Party, and upon the 1933 assassination of Mayor Anton Cermak (the architect of Chicago's first multi-ethnic Democratic machine), Nash became the most powerful figure in Chicago politics. He backed Edward Kelly for Mayor, and the two presided over what became known as the Kelly-Nash Machine, which was potent and corrupt, but also progressive enough to reign for a decade and a half and leave the city debt-free upon the end of Mayor Kelly's reign in 1947.

The house is a remnant of Garfield Park's more genteel days. While it appears generally well-maintained, the area around it has not fared nearly as well, hit hard by white flight and rioting in the 1950s and 1960s. The real estate boom of the 2000s spurred a wave of speculation in real estate which has since broken, leaving the future of some of the area's remaining historic homes and buildings in doubt.

Blogged.

Nice Design My Own House Game photos

An iPod and a Frothy Pint
design my own house game
Image by Wootang01
9.4.09
The flight arrived on time; and the twelve hours while on board passed quickly and without incident. To be sure, the quality of the Cathay Pacific service was exemplary once again.

Heathrow reminds me of Newark International. The décor comes straight out of the sterile 80's and is less an eyesore than an insipid background to the rhythm of human activity, such hustle and bustle, at the fore. There certainly are faces from all races present, creating a rich mosaic of humanity which is refreshing if not completely revitalizing after swimming for so long in a sea of Chinese faces in Hong Kong.

Internet access is sealed in England, it seems. Nothing is free; everything is egregiously monetized from the wireless hotspots down to the desktop terminals. I guess Hong Kong has spoiled me with its abundant, free access to the information superhighway.


11.4.09
Despite staying in a room with five other backpackers, I have been sleeping well. The mattress and pillow are firm; my earplugs keep the noise out; and the sleeping quarters are as dark as a cave when the lights are out, and only as bright as, perhaps, a dreary rainy day when on. All in all, St. Paul's is a excellent place to stay for the gregarious, adventurous, and penurious city explorer - couchsurfing may be a tenable alternative; I'll test for next time.

Yesterday Connie and I gorged ourselves at the borough market where there were all sorts of delectable, savory victuals. There was definitely a European flavor to the food fair: simmering sausages were to be found everywhere; and much as the meat was plentiful, and genuine, so were the dairy delicacies, in the form of myriad rounds of cheese, stacked high behind checkered tabletops. Of course, we washed these tasty morsels down with copious amounts of alcohol that flowed from cups as though amber waterfalls. For the first time I tried mulled wine, which tasted like warm, rancid fruit punch - the ideal tonic for a drizzling London day, I suppose. We later killed the afternoon at the pub, shooting the breeze while imbibing several diminutive half-pints in the process. Getting smashed at four in the afternoon doesn't seem like such a bad thing anymore, especially when you are having fun in the company of friends; I can more appreciate why the English do it so much!

Earlier in the day, we visited the Tate Modern. Its turbine room lived up to its prominent billing what with a giant spider, complete with bulbous egg sac, anchoring the retrospective exhibit. The permanent galleries, too, were a delight upon which to feast one's eyes. Picasso, Warhol and Pollock ruled the chambers of the upper floors with the products of their lithe wrists; and I ended up becoming a huge fan of cubism, while developing a disdain for abstract art and its vacuous images, which, I feel, are devoid of both motivation and emotion.

My first trip yesterday morning was to Emirates Stadium, home of the Arsenal Gunners. It towers imperiously over the surrounding neighborhood; yet for all its majesty, the place sure was quiet! Business did pick up later, however, once the armory shop opened, and dozens of fans descended on it like bees to a hive. I, too, swooped in on a gift-buying mission, and wound up purchasing a book for Godfrey, a scarf for a student, and a jersey - on sale, of course - for good measure.

I'm sitting in the Westminster Abbey Museum now, resting my weary legs and burdened back. So far, I've been verily impressed with what I've seen, such a confluence of splendor and history before me that it would require days to absorb it all, when regretfully I can spare only a few hours. My favorite part of the abbey is the poets corner where no less a literary luminary than Samuel Johnson rests in peace - his bust confirms his homely presence, which was so vividly captured in his biography.

For lunch I had a steak and ale pie, served with mash, taken alongside a Guinness, extra cold - 2 degrees centigrade colder, the bartender explained. It went down well, like all the other delicious meals I've had in England; and no doubt by now I have grown accustomed to inebriation at half past two. Besides, Liverpool were playing inspired football against Blackburn; and my lunch was complete.

Having had my fill of football, I decided to skip my ticket scalping endeavor at Stamford Bridge and instead wandered over to the British Museum to inspect their extensive collections. Along the way, my eye caught a theater, its doors wide open and admitting customers. With much rapidity, I subsequently checked the show times, saw that a performance was set to begin, and at last rushed to the box office to purchase a discounted ticket - if you call a 40 pound ticket a deal, that is. That's how I grabbed a seat to watch Hairspray in the West End.

The show was worth forty pounds. The music was addictive; and the stage design and effects were not so much kitschy as delightfully stimulating - the pulsating background lights were at once scintillating and penetrating. The actors as well were vivacious, oozing charisma while they danced and delivered lines dripping in humor. Hairspray is a quality production and most definitely recommended.


12.4.09
At breakfast I sat across from a man who asked me to which country Hong Kong had been returned - China or Japan. That was pretty funny. Then he started spitting on my food as he spoke, completely oblivious to my breakfast becoming the receptacle in which the fruit of his inner churl was being placed. I guess I understand the convention nowadays of covering one's mouth whilst speaking and masticating at the same time!

We actually conversed on London life in general, and I praised London for its racial integration, the act of which is a prodigious leap of faith for any society, trying to be inclusive, accepting all sorts of people. It wasn't as though the Brits were trying in vain to be all things to all men, using Spanish with the visitors from Spain, German with the Germans and, even, Hindi with the Indians, regardless of whether or not Hindi was their native language; not even considering the absurd idea of encouraging the international adoption of their language; thereby completely keeping English in English hands and allowing its proud polyglots to "practice" their languages. Indeed, the attempt of the Londoners to avail themselves of the rich mosaic of ethnic knowledge, and to seek a common understanding with a ubiquitous English accent is an exemplar, and the bedrock for any world city.

I celebrated Jesus' resurrection at the St. Andrew's Street Church in Cambridge. The parishioners of this Baptist church were warm and affable, and I met several of them, including one visiting (Halliday) linguistics scholar from Zhongshan university in Guangzhou, who in fact had visited my tiny City University of Hong Kong in 2003. The service itself was more traditional and the believers fewer in number than the "progressive" services at any of the charismatic, evangelical churches in HK; yet that's what makes this part of the body of Christ unique; besides, the message was as brief as a powerpoint slide, and informative no less; the power word which spoke into my life being a question from John 21:22 - what is that to you?

Big trees; exquisite lawns; and old, pointy colleges; that's Cambridge in a nutshell. Sitting here, sipping on a half-pint of Woodforde's Wherry, I've had a leisurely, if not languorous, day so far; my sole duty consisting of walking around while absorbing the verdant environment as though a sponge, camera in tow.

I am back at the sublime beer, savoring a pint of Sharp's DoomBar before my fish and chips arrive; the drinking age is 18, but anyone whose visage even hints of youthful brilliance is likely to get carded these days, the bartender told me. The youth drinking culture here is almost as twisted as the university drinking culture in America.

My stay in Cambridge, relaxing and desultory as it may be, is about to end after this late lunch. I an not sure if there is anything left to see, save for the American graveyard which rests an impossible two miles away. I have had a wonderful time in this town; and am thankful for the access into its living history - the residents here must demonstrate remarkable patience and tolerance what with so many tourists ambling on the streets, peering - and photographing - into every nook and cranny.

13.4.09
There are no rubbish bins, yet I've seen on the streets many mixed race couples in which the men tend to be white - the women also belonging to a light colored ethnicity, usually some sort of Asian; as well saw some black dudes and Indian dudes with white chicks.

People here hold doors, even at the entrance to the toilet. Sometimes it appears as though they are going out on a limb, just waiting for the one who will take the responsibility for the door from them, at which point I rush out to relieve them of such a fortuitous burden.

I visited the British Museum this morning. The two hours I spent there did neither myself nor the exhibits any justice because there really is too much to survey, enough captivating stuff to last an entire day, I think. The bottomless well of artifacts from antiquity, drawing from sources as diverse as Korea, and Mesopotamia, is a credit to the British empire, without whose looting most of this amazing booty would be unavailable for our purview; better, I think, for these priceless treasures to be open to all in the grandest supermarket of history than away from human eyes, and worst yet, in the hands of unscrupulous collectors or in the rubbish bin, possibly.

Irene and I took in the ballet Giselle at The Royal Opera House in the afternoon. The building is a plush marvel, and a testament to this city's love for the arts. The ballet itself was satisfying, the first half being superior to the second, in which the nimble dancers demonstrated their phenomenal dexterity in, of all places, a graveyard covered in a cloak of smoke and darkness. I admit, their dance of the dead, in such a gloomy necropolis, did strike me as, strange.

Two amicable ladies from Kent convinced me to visit their hometown tomorrow, where, they told me, the authentic, "working" Leeds Castle and the mighty interesting home of Charles Darwin await.

I'm nursing a pint of Green King Ruddles and wondering about the profusion of British ales and lagers; the British have done a great deed for the world by creating an interminable line of low-alcohol session beers that can be enjoyed at breakfast, lunch, tea and dinner; and their disservice is this: besides this inexhaustible supply of cheap beer ensnaring my inner alcoholic, I feel myself putting on my freshman fifteen, almost ten years after the fact; I am going to have to run a bit harder back in Hong Kong if I want to burn all this malty fuel off.

Irene suggested I stop by the National Art Gallery since we were in the area; and it was an hour well spent. The gallery currently presents a special exhibit on Picasso, the non-ticketed section of which features several seductive renderings, including David spying on Bathsheba - repeated in clever variants - and parodies of other masters' works. Furthermore, the main gallery houses two fabulous portraits by Joshua Reynolds, who happens to be favorite of mine, he in life being a close friend of Samuel Johnson - I passed by Boswells, where its namesake first met Johnson, on my way to the opera house.

14.4.09
I prayed last night, and went through my list, lifting everyone on it up to the Lord. That felt good; that God is alive now, and ever present in my life and in the lives of my brothers and sisters.

Doubtless, then, I have felt quite wistful, as though a specter in the land of the living, being in a place where religious fervor, it seems, is a thing of the past, a trifling for many, to be hidden away in the opaque corners of centuries-old cathedrals that are more expensive tourist destinations than liberating homes of worship these days. Indeed, I have yet to see anyone pray, outside of the Easter service which I attended in Cambridge - for such an ecstatic moment in verily a grand church, would you believe that it was only attended by at most three dozen spirited ones. The people of England, and Europe in general, have, it is my hope, only locked away the Word, relegating it to the quiet vault of their hearts. May it be taken out in the sudden pause before mealtimes and in the still crisp mornings and cool, silent nights. There is still hope for a revival in this place, for faith to rise like that splendid sun every morning. God would love to rescue them, to deliver them in this day, it is certain.

I wonder what Londoners think, if anything at all, about their police state which, like a vine in the shadows, has taken root in all corners of daily life, from the terrorist notifications in the underground, which implore Londoners to report all things suspicious, to the pair of dogs which eagerly stroll through Euston. What makes this all the more incredible is the fact that even the United States, the indomitable nemesis of the fledgling, rebel order, doesn't dare bombard its citizens with such fear mongering these days, especially with Obama in office; maybe we've grown wise in these past few years to the dubious returns of surrendering civil liberties to the state, of having our bags checked everywhere - London Eye; Hairspray; and The Royal Opera House check bags in London while the museums do not; somehow, that doesn't add up for me.

I'm in a majestic bookshop on New Street in Birmingham, and certainly to confirm my suspicions, there are just as many books on the death of Christianity in Britain as there are books which attempt to murder Christianity everywhere. I did find, however, a nice biography on John Wesley by Roy Hattersley and The Screwtape Letters by C.S. Lewis. I may pick up the former.

Lunch with Sally was pleasant and mirthful. We dined at a French restaurant nearby New Street - yes, Birmingham is a cultural capitol! Sally and I both tried their omelette, while her boyfriend had the fish, without chips. Conversation was light, the levity was there and so was our reminiscing about those fleeting moments during our first year in Hong Kong; it is amazing how friendships can resume so suddenly with a smile. On their recommendation, I am on my way to Warwick Castle - they also suggested that I visit Cadbury World, but they cannot take on additional visitors at the moment, the tourist office staff informed me, much to my disappointment!

Visiting Warwick Castle really made for a great day out. The castle, parts of which were established by William the Conquerer in 1068, is as much a kitschy tourist trap as a meticulous preservation of history, at times a sillier version of Ocean Park while at others a dignified dedication to a most glorious, inexorably English past. The castle caters to all visitors; and not surprisingly, that which delighted all audiences was a giant trebuchet siege engine, which for the five p.m. performance hurled a fireball high and far into the air - fantastic! Taliban beware!

15.4.09
I'm leaving on a jet plane this evening; don't know when I'll be back in England again. I'll miss this quirky, yet endearing place; and that I shall miss Irene and Tom who so generously welcomed me into their home, fed me, and suffered my use of their toilet and shower goes without saying. I'm grateful for God's many blessings on this trip.

On the itinerary today is a trip to John Wesley's home, followed by a visit to the Imperial War Museum. Already this morning I picked up a tube of Oilatum, a week late perhaps, which Teri recommended I use to treat this obstinate, dermal weakness of mine - I'm happy to report that my skin has stopped crying.

John Wesley's home is alive and well. Services are still held in the chapel everyday; and its crypt, so far from being a cellar for the dead, is a bright, spacious museum in which all things Wesley are on display - I never realized how much of an iconic figure he became in England; at the height of this idol frenzy, ironic in itself, he must have been as popular as the Beatles were at their apex. The house itself is a multi-story edifice with narrow, precipitous staircases and spacious rooms decorated in an 18th century fashion.

I found Samuel Johnson's house within a maze of red brick hidden alongside Fleet Street. To be in the home of the man who wrote the English dictionary, and whose indefatigable love for obscure words became the inspiration for my own lexical obsession, this, by far, is the climax of my visit to England! The best certainly has been saved for last.

There are a multitude of portraits hanging around the house like ornaments on a tree. Every likeness has its own story, meticulously retold on the crib sheets in each room. Celebrities abound, including David Garrick and Sir Joshua Reynolds, who painted several of the finer images in the house. I have developed a particular affinity for Oliver Goldsmith, of whom Boswell writes, "His person was short, his countenance coarse and vulgar, his deportment that of a scholar awkwardly affecting the easy gentleman. It appears as though I, too, could use a more flattering description of myself!

I regretfully couldn't stop to try the curry in England; I guess the CityU canteen's take on the dish will have to do. I did, however, have the opportune task of flirting with the cute Cathay Pacific counter staff who checked me in. She was gorgeous in red, light powder on her cheeks, with real diamond earrings, she said; and her small, delicate face, commanded by a posh British accent rendered her positively irresistible, electrifying. Not only did she grant me an aisle seat but she had the gumption to return my fawning with zest; she must be a pro at this by now.

I saw her again as she was pulling double-duty, collecting tickets prior to boarding. She remembered my quest for curry; and in the fog of infatuation, where nary a man has been made, I fumbled my words like the sloppy kid who has had too much punch. I am just an amateur, alas, an "Oliver Goldsmith" with the ladies - I got no game - booyah!

Some final, consequential bits: because of the chavs, Burberry no longer sells those fashionable baseball caps; because of the IRA, rubbish bins are no longer a commodity on the streets of London, and as a result, the streets and the Underground of the city are a soiled mess; and because of other terrorists from distant, more arid lands, going through a Western airport has taken on the tedium of perfunctory procedure that doesn't make me feel any safer from my invisible enemies.

At last, I saw so many Indians working at Heathrow that I could have easily mistaken the place for Mumbai. Their presence surprised me because their portion of the general population surely must be less than their portion of Heathrow staff, indicating some mysterious hiring bias. Regardless, they do a superb job with cursory airport checks, and in general are absurdly funny and witty when not tactless.

That's all for England!


The British Museum Lion
design my own house game
Image by Wootang01
9.4.09
The flight arrived on time; and the twelve hours while on board passed quickly and without incident. To be sure, the quality of the Cathay Pacific service was exemplary once again.

Heathrow reminds me of Newark International. The décor comes straight out of the sterile 80's and is less an eyesore than an insipid background to the rhythm of human activity, such hustle and bustle, at the fore. There certainly are faces from all races present, creating a rich mosaic of humanity which is refreshing if not completely revitalizing after swimming for so long in a sea of Chinese faces in Hong Kong.

Internet access is sealed in England, it seems. Nothing is free; everything is egregiously monetized from the wireless hotspots down to the desktop terminals. I guess Hong Kong has spoiled me with its abundant, free access to the information superhighway.


11.4.09
Despite staying in a room with five other backpackers, I have been sleeping well. The mattress and pillow are firm; my earplugs keep the noise out; and the sleeping quarters are as dark as a cave when the lights are out, and only as bright as, perhaps, a dreary rainy day when on. All in all, St. Paul's is a excellent place to stay for the gregarious, adventurous, and penurious city explorer - couchsurfing may be a tenable alternative; I'll test for next time.

Yesterday Connie and I gorged ourselves at the borough market where there were all sorts of delectable, savory victuals. There was definitely a European flavor to the food fair: simmering sausages were to be found everywhere; and much as the meat was plentiful, and genuine, so were the dairy delicacies, in the form of myriad rounds of cheese, stacked high behind checkered tabletops. Of course, we washed these tasty morsels down with copious amounts of alcohol that flowed from cups as though amber waterfalls. For the first time I tried mulled wine, which tasted like warm, rancid fruit punch - the ideal tonic for a drizzling London day, I suppose. We later killed the afternoon at the pub, shooting the breeze while imbibing several diminutive half-pints in the process. Getting smashed at four in the afternoon doesn't seem like such a bad thing anymore, especially when you are having fun in the company of friends; I can more appreciate why the English do it so much!

Earlier in the day, we visited the Tate Modern. Its turbine room lived up to its prominent billing what with a giant spider, complete with bulbous egg sac, anchoring the retrospective exhibit. The permanent galleries, too, were a delight upon which to feast one's eyes. Picasso, Warhol and Pollock ruled the chambers of the upper floors with the products of their lithe wrists; and I ended up becoming a huge fan of cubism, while developing a disdain for abstract art and its vacuous images, which, I feel, are devoid of both motivation and emotion.

My first trip yesterday morning was to Emirates Stadium, home of the Arsenal Gunners. It towers imperiously over the surrounding neighborhood; yet for all its majesty, the place sure was quiet! Business did pick up later, however, once the armory shop opened, and dozens of fans descended on it like bees to a hive. I, too, swooped in on a gift-buying mission, and wound up purchasing a book for Godfrey, a scarf for a student, and a jersey - on sale, of course - for good measure.

I'm sitting in the Westminster Abbey Museum now, resting my weary legs and burdened back. So far, I've been verily impressed with what I've seen, such a confluence of splendor and history before me that it would require days to absorb it all, when regretfully I can spare only a few hours. My favorite part of the abbey is the poets corner where no less a literary luminary than Samuel Johnson rests in peace - his bust confirms his homely presence, which was so vividly captured in his biography.

For lunch I had a steak and ale pie, served with mash, taken alongside a Guinness, extra cold - 2 degrees centigrade colder, the bartender explained. It went down well, like all the other delicious meals I've had in England; and no doubt by now I have grown accustomed to inebriation at half past two. Besides, Liverpool were playing inspired football against Blackburn; and my lunch was complete.

Having had my fill of football, I decided to skip my ticket scalping endeavor at Stamford Bridge and instead wandered over to the British Museum to inspect their extensive collections. Along the way, my eye caught a theater, its doors wide open and admitting customers. With much rapidity, I subsequently checked the show times, saw that a performance was set to begin, and at last rushed to the box office to purchase a discounted ticket - if you call a 40 pound ticket a deal, that is. That's how I grabbed a seat to watch Hairspray in the West End.

The show was worth forty pounds. The music was addictive; and the stage design and effects were not so much kitschy as delightfully stimulating - the pulsating background lights were at once scintillating and penetrating. The actors as well were vivacious, oozing charisma while they danced and delivered lines dripping in humor. Hairspray is a quality production and most definitely recommended.


12.4.09
At breakfast I sat across from a man who asked me to which country Hong Kong had been returned - China or Japan. That was pretty funny. Then he started spitting on my food as he spoke, completely oblivious to my breakfast becoming the receptacle in which the fruit of his inner churl was being placed. I guess I understand the convention nowadays of covering one's mouth whilst speaking and masticating at the same time!

We actually conversed on London life in general, and I praised London for its racial integration, the act of which is a prodigious leap of faith for any society, trying to be inclusive, accepting all sorts of people. It wasn't as though the Brits were trying in vain to be all things to all men, using Spanish with the visitors from Spain, German with the Germans and, even, Hindi with the Indians, regardless of whether or not Hindi was their native language; not even considering the absurd idea of encouraging the international adoption of their language; thereby completely keeping English in English hands and allowing its proud polyglots to "practice" their languages. Indeed, the attempt of the Londoners to avail themselves of the rich mosaic of ethnic knowledge, and to seek a common understanding with a ubiquitous English accent is an exemplar, and the bedrock for any world city.

I celebrated Jesus' resurrection at the St. Andrew's Street Church in Cambridge. The parishioners of this Baptist church were warm and affable, and I met several of them, including one visiting (Halliday) linguistics scholar from Zhongshan university in Guangzhou, who in fact had visited my tiny City University of Hong Kong in 2003. The service itself was more traditional and the believers fewer in number than the "progressive" services at any of the charismatic, evangelical churches in HK; yet that's what makes this part of the body of Christ unique; besides, the message was as brief as a powerpoint slide, and informative no less; the power word which spoke into my life being a question from John 21:22 - what is that to you?

Big trees; exquisite lawns; and old, pointy colleges; that's Cambridge in a nutshell. Sitting here, sipping on a half-pint of Woodforde's Wherry, I've had a leisurely, if not languorous, day so far; my sole duty consisting of walking around while absorbing the verdant environment as though a sponge, camera in tow.

I am back at the sublime beer, savoring a pint of Sharp's DoomBar before my fish and chips arrive; the drinking age is 18, but anyone whose visage even hints of youthful brilliance is likely to get carded these days, the bartender told me. The youth drinking culture here is almost as twisted as the university drinking culture in America.

My stay in Cambridge, relaxing and desultory as it may be, is about to end after this late lunch. I an not sure if there is anything left to see, save for the American graveyard which rests an impossible two miles away. I have had a wonderful time in this town; and am thankful for the access into its living history - the residents here must demonstrate remarkable patience and tolerance what with so many tourists ambling on the streets, peering - and photographing - into every nook and cranny.

13.4.09
There are no rubbish bins, yet I've seen on the streets many mixed race couples in which the men tend to be white - the women also belonging to a light colored ethnicity, usually some sort of Asian; as well saw some black dudes and Indian dudes with white chicks.

People here hold doors, even at the entrance to the toilet. Sometimes it appears as though they are going out on a limb, just waiting for the one who will take the responsibility for the door from them, at which point I rush out to relieve them of such a fortuitous burden.

I visited the British Museum this morning. The two hours I spent there did neither myself nor the exhibits any justice because there really is too much to survey, enough captivating stuff to last an entire day, I think. The bottomless well of artifacts from antiquity, drawing from sources as diverse as Korea, and Mesopotamia, is a credit to the British empire, without whose looting most of this amazing booty would be unavailable for our purview; better, I think, for these priceless treasures to be open to all in the grandest supermarket of history than away from human eyes, and worst yet, in the hands of unscrupulous collectors or in the rubbish bin, possibly.

Irene and I took in the ballet Giselle at The Royal Opera House in the afternoon. The building is a plush marvel, and a testament to this city's love for the arts. The ballet itself was satisfying, the first half being superior to the second, in which the nimble dancers demonstrated their phenomenal dexterity in, of all places, a graveyard covered in a cloak of smoke and darkness. I admit, their dance of the dead, in such a gloomy necropolis, did strike me as, strange.

Two amicable ladies from Kent convinced me to visit their hometown tomorrow, where, they told me, the authentic, "working" Leeds Castle and the mighty interesting home of Charles Darwin await.

I'm nursing a pint of Green King Ruddles and wondering about the profusion of British ales and lagers; the British have done a great deed for the world by creating an interminable line of low-alcohol session beers that can be enjoyed at breakfast, lunch, tea and dinner; and their disservice is this: besides this inexhaustible supply of cheap beer ensnaring my inner alcoholic, I feel myself putting on my freshman fifteen, almost ten years after the fact; I am going to have to run a bit harder back in Hong Kong if I want to burn all this malty fuel off.

Irene suggested I stop by the National Art Gallery since we were in the area; and it was an hour well spent. The gallery currently presents a special exhibit on Picasso, the non-ticketed section of which features several seductive renderings, including David spying on Bathsheba - repeated in clever variants - and parodies of other masters' works. Furthermore, the main gallery houses two fabulous portraits by Joshua Reynolds, who happens to be favorite of mine, he in life being a close friend of Samuel Johnson - I passed by Boswells, where its namesake first met Johnson, on my way to the opera house.

14.4.09
I prayed last night, and went through my list, lifting everyone on it up to the Lord. That felt good; that God is alive now, and ever present in my life and in the lives of my brothers and sisters.

Doubtless, then, I have felt quite wistful, as though a specter in the land of the living, being in a place where religious fervor, it seems, is a thing of the past, a trifling for many, to be hidden away in the opaque corners of centuries-old cathedrals that are more expensive tourist destinations than liberating homes of worship these days. Indeed, I have yet to see anyone pray, outside of the Easter service which I attended in Cambridge - for such an ecstatic moment in verily a grand church, would you believe that it was only attended by at most three dozen spirited ones. The people of England, and Europe in general, have, it is my hope, only locked away the Word, relegating it to the quiet vault of their hearts. May it be taken out in the sudden pause before mealtimes and in the still crisp mornings and cool, silent nights. There is still hope for a revival in this place, for faith to rise like that splendid sun every morning. God would love to rescue them, to deliver them in this day, it is certain.

I wonder what Londoners think, if anything at all, about their police state which, like a vine in the shadows, has taken root in all corners of daily life, from the terrorist notifications in the underground, which implore Londoners to report all things suspicious, to the pair of dogs which eagerly stroll through Euston. What makes this all the more incredible is the fact that even the United States, the indomitable nemesis of the fledgling, rebel order, doesn't dare bombard its citizens with such fear mongering these days, especially with Obama in office; maybe we've grown wise in these past few years to the dubious returns of surrendering civil liberties to the state, of having our bags checked everywhere - London Eye; Hairspray; and The Royal Opera House check bags in London while the museums do not; somehow, that doesn't add up for me.

I'm in a majestic bookshop on New Street in Birmingham, and certainly to confirm my suspicions, there are just as many books on the death of Christianity in Britain as there are books which attempt to murder Christianity everywhere. I did find, however, a nice biography on John Wesley by Roy Hattersley and The Screwtape Letters by C.S. Lewis. I may pick up the former.

Lunch with Sally was pleasant and mirthful. We dined at a French restaurant nearby New Street - yes, Birmingham is a cultural capitol! Sally and I both tried their omelette, while her boyfriend had the fish, without chips. Conversation was light, the levity was there and so was our reminiscing about those fleeting moments during our first year in Hong Kong; it is amazing how friendships can resume so suddenly with a smile. On their recommendation, I am on my way to Warwick Castle - they also suggested that I visit Cadbury World, but they cannot take on additional visitors at the moment, the tourist office staff informed me, much to my disappointment!

Visiting Warwick Castle really made for a great day out. The castle, parts of which were established by William the Conquerer in 1068, is as much a kitschy tourist trap as a meticulous preservation of history, at times a sillier version of Ocean Park while at others a dignified dedication to a most glorious, inexorably English past. The castle caters to all visitors; and not surprisingly, that which delighted all audiences was a giant trebuchet siege engine, which for the five p.m. performance hurled a fireball high and far into the air - fantastic! Taliban beware!

15.4.09
I'm leaving on a jet plane this evening; don't know when I'll be back in England again. I'll miss this quirky, yet endearing place; and that I shall miss Irene and Tom who so generously welcomed me into their home, fed me, and suffered my use of their toilet and shower goes without saying. I'm grateful for God's many blessings on this trip.

On the itinerary today is a trip to John Wesley's home, followed by a visit to the Imperial War Museum. Already this morning I picked up a tube of Oilatum, a week late perhaps, which Teri recommended I use to treat this obstinate, dermal weakness of mine - I'm happy to report that my skin has stopped crying.

John Wesley's home is alive and well. Services are still held in the chapel everyday; and its crypt, so far from being a cellar for the dead, is a bright, spacious museum in which all things Wesley are on display - I never realized how much of an iconic figure he became in England; at the height of this idol frenzy, ironic in itself, he must have been as popular as the Beatles were at their apex. The house itself is a multi-story edifice with narrow, precipitous staircases and spacious rooms decorated in an 18th century fashion.

I found Samuel Johnson's house within a maze of red brick hidden alongside Fleet Street. To be in the home of the man who wrote the English dictionary, and whose indefatigable love for obscure words became the inspiration for my own lexical obsession, this, by far, is the climax of my visit to England! The best certainly has been saved for last.

There are a multitude of portraits hanging around the house like ornaments on a tree. Every likeness has its own story, meticulously retold on the crib sheets in each room. Celebrities abound, including David Garrick and Sir Joshua Reynolds, who painted several of the finer images in the house. I have developed a particular affinity for Oliver Goldsmith, of whom Boswell writes, "His person was short, his countenance coarse and vulgar, his deportment that of a scholar awkwardly affecting the easy gentleman. It appears as though I, too, could use a more flattering description of myself!

I regretfully couldn't stop to try the curry in England; I guess the CityU canteen's take on the dish will have to do. I did, however, have the opportune task of flirting with the cute Cathay Pacific counter staff who checked me in. She was gorgeous in red, light powder on her cheeks, with real diamond earrings, she said; and her small, delicate face, commanded by a posh British accent rendered her positively irresistible, electrifying. Not only did she grant me an aisle seat but she had the gumption to return my fawning with zest; she must be a pro at this by now.

I saw her again as she was pulling double-duty, collecting tickets prior to boarding. She remembered my quest for curry; and in the fog of infatuation, where nary a man has been made, I fumbled my words like the sloppy kid who has had too much punch. I am just an amateur, alas, an "Oliver Goldsmith" with the ladies - I got no game - booyah!

Some final, consequential bits: because of the chavs, Burberry no longer sells those fashionable baseball caps; because of the IRA, rubbish bins are no longer a commodity on the streets of London, and as a result, the streets and the Underground of the city are a soiled mess; and because of other terrorists from distant, more arid lands, going through a Western airport has taken on the tedium of perfunctory procedure that doesn't make me feel any safer from my invisible enemies.

At last, I saw so many Indians working at Heathrow that I could have easily mistaken the place for Mumbai. Their presence surprised me because their portion of the general population surely must be less than their portion of Heathrow staff, indicating some mysterious hiring bias. Regardless, they do a superb job with cursory airport checks, and in general are absurdly funny and witty when not tactless.

That's all for England!


IMG_2241
design my own house game
Image by Wootang01
9.4.09
The flight arrived on time; and the twelve hours while on board passed quickly and without incident. To be sure, the quality of the Cathay Pacific service was exemplary once again.

Heathrow reminds me of Newark International. The décor comes straight out of the sterile 80's and is less an eyesore than an insipid background to the rhythm of human activity, such hustle and bustle, at the fore. There certainly are faces from all races present, creating a rich mosaic of humanity which is refreshing if not completely revitalizing after swimming for so long in a sea of Chinese faces in Hong Kong.

Internet access is sealed in England, it seems. Nothing is free; everything is egregiously monetized from the wireless hotspots down to the desktop terminals. I guess Hong Kong has spoiled me with its abundant, free access to the information superhighway.


11.4.09
Despite staying in a room with five other backpackers, I have been sleeping well. The mattress and pillow are firm; my earplugs keep the noise out; and the sleeping quarters are as dark as a cave when the lights are out, and only as bright as, perhaps, a dreary rainy day when on. All in all, St. Paul's is a excellent place to stay for the gregarious, adventurous, and penurious city explorer - couchsurfing may be a tenable alternative; I'll test for next time.

Yesterday Connie and I gorged ourselves at the borough market where there were all sorts of delectable, savory victuals. There was definitely a European flavor to the food fair: simmering sausages were to be found everywhere; and much as the meat was plentiful, and genuine, so were the dairy delicacies, in the form of myriad rounds of cheese, stacked high behind checkered tabletops. Of course, we washed these tasty morsels down with copious amounts of alcohol that flowed from cups as though amber waterfalls. For the first time I tried mulled wine, which tasted like warm, rancid fruit punch - the ideal tonic for a drizzling London day, I suppose. We later killed the afternoon at the pub, shooting the breeze while imbibing several diminutive half-pints in the process. Getting smashed at four in the afternoon doesn't seem like such a bad thing anymore, especially when you are having fun in the company of friends; I can more appreciate why the English do it so much!

Earlier in the day, we visited the Tate Modern. Its turbine room lived up to its prominent billing what with a giant spider, complete with bulbous egg sac, anchoring the retrospective exhibit. The permanent galleries, too, were a delight upon which to feast one's eyes. Picasso, Warhol and Pollock ruled the chambers of the upper floors with the products of their lithe wrists; and I ended up becoming a huge fan of cubism, while developing a disdain for abstract art and its vacuous images, which, I feel, are devoid of both motivation and emotion.

My first trip yesterday morning was to Emirates Stadium, home of the Arsenal Gunners. It towers imperiously over the surrounding neighborhood; yet for all its majesty, the place sure was quiet! Business did pick up later, however, once the armory shop opened, and dozens of fans descended on it like bees to a hive. I, too, swooped in on a gift-buying mission, and wound up purchasing a book for Godfrey, a scarf for a student, and a jersey - on sale, of course - for good measure.

I'm sitting in the Westminster Abbey Museum now, resting my weary legs and burdened back. So far, I've been verily impressed with what I've seen, such a confluence of splendor and history before me that it would require days to absorb it all, when regretfully I can spare only a few hours. My favorite part of the abbey is the poets corner where no less a literary luminary than Samuel Johnson rests in peace - his bust confirms his homely presence, which was so vividly captured in his biography.

For lunch I had a steak and ale pie, served with mash, taken alongside a Guinness, extra cold - 2 degrees centigrade colder, the bartender explained. It went down well, like all the other delicious meals I've had in England; and no doubt by now I have grown accustomed to inebriation at half past two. Besides, Liverpool were playing inspired football against Blackburn; and my lunch was complete.

Having had my fill of football, I decided to skip my ticket scalping endeavor at Stamford Bridge and instead wandered over to the British Museum to inspect their extensive collections. Along the way, my eye caught a theater, its doors wide open and admitting customers. With much rapidity, I subsequently checked the show times, saw that a performance was set to begin, and at last rushed to the box office to purchase a discounted ticket - if you call a 40 pound ticket a deal, that is. That's how I grabbed a seat to watch Hairspray in the West End.

The show was worth forty pounds. The music was addictive; and the stage design and effects were not so much kitschy as delightfully stimulating - the pulsating background lights were at once scintillating and penetrating. The actors as well were vivacious, oozing charisma while they danced and delivered lines dripping in humor. Hairspray is a quality production and most definitely recommended.


12.4.09
At breakfast I sat across from a man who asked me to which country Hong Kong had been returned - China or Japan. That was pretty funny. Then he started spitting on my food as he spoke, completely oblivious to my breakfast becoming the receptacle in which the fruit of his inner churl was being placed. I guess I understand the convention nowadays of covering one's mouth whilst speaking and masticating at the same time!

We actually conversed on London life in general, and I praised London for its racial integration, the act of which is a prodigious leap of faith for any society, trying to be inclusive, accepting all sorts of people. It wasn't as though the Brits were trying in vain to be all things to all men, using Spanish with the visitors from Spain, German with the Germans and, even, Hindi with the Indians, regardless of whether or not Hindi was their native language; not even considering the absurd idea of encouraging the international adoption of their language; thereby completely keeping English in English hands and allowing its proud polyglots to "practice" their languages. Indeed, the attempt of the Londoners to avail themselves of the rich mosaic of ethnic knowledge, and to seek a common understanding with a ubiquitous English accent is an exemplar, and the bedrock for any world city.

I celebrated Jesus' resurrection at the St. Andrew's Street Church in Cambridge. The parishioners of this Baptist church were warm and affable, and I met several of them, including one visiting (Halliday) linguistics scholar from Zhongshan university in Guangzhou, who in fact had visited my tiny City University of Hong Kong in 2003. The service itself was more traditional and the believers fewer in number than the "progressive" services at any of the charismatic, evangelical churches in HK; yet that's what makes this part of the body of Christ unique; besides, the message was as brief as a powerpoint slide, and informative no less; the power word which spoke into my life being a question from John 21:22 - what is that to you?

Big trees; exquisite lawns; and old, pointy colleges; that's Cambridge in a nutshell. Sitting here, sipping on a half-pint of Woodforde's Wherry, I've had a leisurely, if not languorous, day so far; my sole duty consisting of walking around while absorbing the verdant environment as though a sponge, camera in tow.

I am back at the sublime beer, savoring a pint of Sharp's DoomBar before my fish and chips arrive; the drinking age is 18, but anyone whose visage even hints of youthful brilliance is likely to get carded these days, the bartender told me. The youth drinking culture here is almost as twisted as the university drinking culture in America.

My stay in Cambridge, relaxing and desultory as it may be, is about to end after this late lunch. I an not sure if there is anything left to see, save for the American graveyard which rests an impossible two miles away. I have had a wonderful time in this town; and am thankful for the access into its living history - the residents here must demonstrate remarkable patience and tolerance what with so many tourists ambling on the streets, peering - and photographing - into every nook and cranny.

13.4.09
There are no rubbish bins, yet I've seen on the streets many mixed race couples in which the men tend to be white - the women also belonging to a light colored ethnicity, usually some sort of Asian; as well saw some black dudes and Indian dudes with white chicks.

People here hold doors, even at the entrance to the toilet. Sometimes it appears as though they are going out on a limb, just waiting for the one who will take the responsibility for the door from them, at which point I rush out to relieve them of such a fortuitous burden.

I visited the British Museum this morning. The two hours I spent there did neither myself nor the exhibits any justice because there really is too much to survey, enough captivating stuff to last an entire day, I think. The bottomless well of artifacts from antiquity, drawing from sources as diverse as Korea, and Mesopotamia, is a credit to the British empire, without whose looting most of this amazing booty would be unavailable for our purview; better, I think, for these priceless treasures to be open to all in the grandest supermarket of history than away from human eyes, and worst yet, in the hands of unscrupulous collectors or in the rubbish bin, possibly.

Irene and I took in the ballet Giselle at The Royal Opera House in the afternoon. The building is a plush marvel, and a testament to this city's love for the arts. The ballet itself was satisfying, the first half being superior to the second, in which the nimble dancers demonstrated their phenomenal dexterity in, of all places, a graveyard covered in a cloak of smoke and darkness. I admit, their dance of the dead, in such a gloomy necropolis, did strike me as, strange.

Two amicable ladies from Kent convinced me to visit their hometown tomorrow, where, they told me, the authentic, "working" Leeds Castle and the mighty interesting home of Charles Darwin await.

I'm nursing a pint of Green King Ruddles and wondering about the profusion of British ales and lagers; the British have done a great deed for the world by creating an interminable line of low-alcohol session beers that can be enjoyed at breakfast, lunch, tea and dinner; and their disservice is this: besides this inexhaustible supply of cheap beer ensnaring my inner alcoholic, I feel myself putting on my freshman fifteen, almost ten years after the fact; I am going to have to run a bit harder back in Hong Kong if I want to burn all this malty fuel off.

Irene suggested I stop by the National Art Gallery since we were in the area; and it was an hour well spent. The gallery currently presents a special exhibit on Picasso, the non-ticketed section of which features several seductive renderings, including David spying on Bathsheba - repeated in clever variants - and parodies of other masters' works. Furthermore, the main gallery houses two fabulous portraits by Joshua Reynolds, who happens to be favorite of mine, he in life being a close friend of Samuel Johnson - I passed by Boswells, where its namesake first met Johnson, on my way to the opera house.

14.4.09
I prayed last night, and went through my list, lifting everyone on it up to the Lord. That felt good; that God is alive now, and ever present in my life and in the lives of my brothers and sisters.

Doubtless, then, I have felt quite wistful, as though a specter in the land of the living, being in a place where religious fervor, it seems, is a thing of the past, a trifling for many, to be hidden away in the opaque corners of centuries-old cathedrals that are more expensive tourist destinations than liberating homes of worship these days. Indeed, I have yet to see anyone pray, outside of the Easter service which I attended in Cambridge - for such an ecstatic moment in verily a grand church, would you believe that it was only attended by at most three dozen spirited ones. The people of England, and Europe in general, have, it is my hope, only locked away the Word, relegating it to the quiet vault of their hearts. May it be taken out in the sudden pause before mealtimes and in the still crisp mornings and cool, silent nights. There is still hope for a revival in this place, for faith to rise like that splendid sun every morning. God would love to rescue them, to deliver them in this day, it is certain.

I wonder what Londoners think, if anything at all, about their police state which, like a vine in the shadows, has taken root in all corners of daily life, from the terrorist notifications in the underground, which implore Londoners to report all things suspicious, to the pair of dogs which eagerly stroll through Euston. What makes this all the more incredible is the fact that even the United States, the indomitable nemesis of the fledgling, rebel order, doesn't dare bombard its citizens with such fear mongering these days, especially with Obama in office; maybe we've grown wise in these past few years to the dubious returns of surrendering civil liberties to the state, of having our bags checked everywhere - London Eye; Hairspray; and The Royal Opera House check bags in London while the museums do not; somehow, that doesn't add up for me.

I'm in a majestic bookshop on New Street in Birmingham, and certainly to confirm my suspicions, there are just as many books on the death of Christianity in Britain as there are books which attempt to murder Christianity everywhere. I did find, however, a nice biography on John Wesley by Roy Hattersley and The Screwtape Letters by C.S. Lewis. I may pick up the former.

Lunch with Sally was pleasant and mirthful. We dined at a French restaurant nearby New Street - yes, Birmingham is a cultural capitol! Sally and I both tried their omelette, while her boyfriend had the fish, without chips. Conversation was light, the levity was there and so was our reminiscing about those fleeting moments during our first year in Hong Kong; it is amazing how friendships can resume so suddenly with a smile. On their recommendation, I am on my way to Warwick Castle - they also suggested that I visit Cadbury World, but they cannot take on additional visitors at the moment, the tourist office staff informed me, much to my disappointment!

Visiting Warwick Castle really made for a great day out. The castle, parts of which were established by William the Conquerer in 1068, is as much a kitschy tourist trap as a meticulous preservation of history, at times a sillier version of Ocean Park while at others a dignified dedication to a most glorious, inexorably English past. The castle caters to all visitors; and not surprisingly, that which delighted all audiences was a giant trebuchet siege engine, which for the five p.m. performance hurled a fireball high and far into the air - fantastic! Taliban beware!

15.4.09
I'm leaving on a jet plane this evening; don't know when I'll be back in England again. I'll miss this quirky, yet endearing place; and that I shall miss Irene and Tom who so generously welcomed me into their home, fed me, and suffered my use of their toilet and shower goes without saying. I'm grateful for God's many blessings on this trip.

On the itinerary today is a trip to John Wesley's home, followed by a visit to the Imperial War Museum. Already this morning I picked up a tube of Oilatum, a week late perhaps, which Teri recommended I use to treat this obstinate, dermal weakness of mine - I'm happy to report that my skin has stopped crying.

John Wesley's home is alive and well. Services are still held in the chapel everyday; and its crypt, so far from being a cellar for the dead, is a bright, spacious museum in which all things Wesley are on display - I never realized how much of an iconic figure he became in England; at the height of this idol frenzy, ironic in itself, he must have been as popular as the Beatles were at their apex. The house itself is a multi-story edifice with narrow, precipitous staircases and spacious rooms decorated in an 18th century fashion.

I found Samuel Johnson's house within a maze of red brick hidden alongside Fleet Street. To be in the home of the man who wrote the English dictionary, and whose indefatigable love for obscure words became the inspiration for my own lexical obsession, this, by far, is the climax of my visit to England! The best certainly has been saved for last.

There are a multitude of portraits hanging around the house like ornaments on a tree. Every likeness has its own story, meticulously retold on the crib sheets in each room. Celebrities abound, including David Garrick and Sir Joshua Reynolds, who painted several of the finer images in the house. I have developed a particular affinity for Oliver Goldsmith, of whom Boswell writes, "His person was short, his countenance coarse and vulgar, his deportment that of a scholar awkwardly affecting the easy gentleman. It appears as though I, too, could use a more flattering description of myself!

I regretfully couldn't stop to try the curry in England; I guess the CityU canteen's take on the dish will have to do. I did, however, have the opportune task of flirting with the cute Cathay Pacific counter staff who checked me in. She was gorgeous in red, light powder on her cheeks, with real diamond earrings, she said; and her small, delicate face, commanded by a posh British accent rendered her positively irresistible, electrifying. Not only did she grant me an aisle seat but she had the gumption to return my fawning with zest; she must be a pro at this by now.

I saw her again as she was pulling double-duty, collecting tickets prior to boarding. She remembered my quest for curry; and in the fog of infatuation, where nary a man has been made, I fumbled my words like the sloppy kid who has had too much punch. I am just an amateur, alas, an "Oliver Goldsmith" with the ladies - I got no game - booyah!

Some final, consequential bits: because of the chavs, Burberry no longer sells those fashionable baseball caps; because of the IRA, rubbish bins are no longer a commodity on the streets of London, and as a result, the streets and the Underground of the city are a soiled mess; and because of other terrorists from distant, more arid lands, going through a Western airport has taken on the tedium of perfunctory procedure that doesn't make me feel any safer from my invisible enemies.

At last, I saw so many Indians working at Heathrow that I could have easily mistaken the place for Mumbai. Their presence surprised me because their portion of the general population surely must be less than their portion of Heathrow staff, indicating some mysterious hiring bias. Regardless, they do a superb job with cursory airport checks, and in general are absurdly funny and witty when not tactless.

That's all for England!


Buckingham Palace
design my own house game
Image by Wootang01
9.4.09
The flight arrived on time; and the twelve hours while on board passed quickly and without incident. To be sure, the quality of the Cathay Pacific service was exemplary once again.

Heathrow reminds me of Newark International. The décor comes straight out of the sterile 80's and is less an eyesore than an insipid background to the rhythm of human activity, such hustle and bustle, at the fore. There certainly are faces from all races present, creating a rich mosaic of humanity which is refreshing if not completely revitalizing after swimming for so long in a sea of Chinese faces in Hong Kong.

Internet access is sealed in England, it seems. Nothing is free; everything is egregiously monetized from the wireless hotspots down to the desktop terminals. I guess Hong Kong has spoiled me with its abundant, free access to the information superhighway.


11.4.09
Despite staying in a room with five other backpackers, I have been sleeping well. The mattress and pillow are firm; my earplugs keep the noise out; and the sleeping quarters are as dark as a cave when the lights are out, and only as bright as, perhaps, a dreary rainy day when on. All in all, St. Paul's is a excellent place to stay for the gregarious, adventurous, and penurious city explorer - couchsurfing may be a tenable alternative; I'll test for next time.

Yesterday Connie and I gorged ourselves at the borough market where there were all sorts of delectable, savory victuals. There was definitely a European flavor to the food fair: simmering sausages were to be found everywhere; and much as the meat was plentiful, and genuine, so were the dairy delicacies, in the form of myriad rounds of cheese, stacked high behind checkered tabletops. Of course, we washed these tasty morsels down with copious amounts of alcohol that flowed from cups as though amber waterfalls. For the first time I tried mulled wine, which tasted like warm, rancid fruit punch - the ideal tonic for a drizzling London day, I suppose. We later killed the afternoon at the pub, shooting the breeze while imbibing several diminutive half-pints in the process. Getting smashed at four in the afternoon doesn't seem like such a bad thing anymore, especially when you are having fun in the company of friends; I can more appreciate why the English do it so much!

Earlier in the day, we visited the Tate Modern. Its turbine room lived up to its prominent billing what with a giant spider, complete with bulbous egg sac, anchoring the retrospective exhibit. The permanent galleries, too, were a delight upon which to feast one's eyes. Picasso, Warhol and Pollock ruled the chambers of the upper floors with the products of their lithe wrists; and I ended up becoming a huge fan of cubism, while developing a disdain for abstract art and its vacuous images, which, I feel, are devoid of both motivation and emotion.

My first trip yesterday morning was to Emirates Stadium, home of the Arsenal Gunners. It towers imperiously over the surrounding neighborhood; yet for all its majesty, the place sure was quiet! Business did pick up later, however, once the armory shop opened, and dozens of fans descended on it like bees to a hive. I, too, swooped in on a gift-buying mission, and wound up purchasing a book for Godfrey, a scarf for a student, and a jersey - on sale, of course - for good measure.

I'm sitting in the Westminster Abbey Museum now, resting my weary legs and burdened back. So far, I've been verily impressed with what I've seen, such a confluence of splendor and history before me that it would require days to absorb it all, when regretfully I can spare only a few hours. My favorite part of the abbey is the poets corner where no less a literary luminary than Samuel Johnson rests in peace - his bust confirms his homely presence, which was so vividly captured in his biography.

For lunch I had a steak and ale pie, served with mash, taken alongside a Guinness, extra cold - 2 degrees centigrade colder, the bartender explained. It went down well, like all the other delicious meals I've had in England; and no doubt by now I have grown accustomed to inebriation at half past two. Besides, Liverpool were playing inspired football against Blackburn; and my lunch was complete.

Having had my fill of football, I decided to skip my ticket scalping endeavor at Stamford Bridge and instead wandered over to the British Museum to inspect their extensive collections. Along the way, my eye caught a theater, its doors wide open and admitting customers. With much rapidity, I subsequently checked the show times, saw that a performance was set to begin, and at last rushed to the box office to purchase a discounted ticket - if you call a 40 pound ticket a deal, that is. That's how I grabbed a seat to watch Hairspray in the West End.

The show was worth forty pounds. The music was addictive; and the stage design and effects were not so much kitschy as delightfully stimulating - the pulsating background lights were at once scintillating and penetrating. The actors as well were vivacious, oozing charisma while they danced and delivered lines dripping in humor. Hairspray is a quality production and most definitely recommended.


12.4.09
At breakfast I sat across from a man who asked me to which country Hong Kong had been returned - China or Japan. That was pretty funny. Then he started spitting on my food as he spoke, completely oblivious to my breakfast becoming the receptacle in which the fruit of his inner churl was being placed. I guess I understand the convention nowadays of covering one's mouth whilst speaking and masticating at the same time!

We actually conversed on London life in general, and I praised London for its racial integration, the act of which is a prodigious leap of faith for any society, trying to be inclusive, accepting all sorts of people. It wasn't as though the Brits were trying in vain to be all things to all men, using Spanish with the visitors from Spain, German with the Germans and, even, Hindi with the Indians, regardless of whether or not Hindi was their native language; not even considering the absurd idea of encouraging the international adoption of their language; thereby completely keeping English in English hands and allowing its proud polyglots to "practice" their languages. Indeed, the attempt of the Londoners to avail themselves of the rich mosaic of ethnic knowledge, and to seek a common understanding with a ubiquitous English accent is an exemplar, and the bedrock for any world city.

I celebrated Jesus' resurrection at the St. Andrew's Street Church in Cambridge. The parishioners of this Baptist church were warm and affable, and I met several of them, including one visiting (Halliday) linguistics scholar from Zhongshan university in Guangzhou, who in fact had visited my tiny City University of Hong Kong in 2003. The service itself was more traditional and the believers fewer in number than the "progressive" services at any of the charismatic, evangelical churches in HK; yet that's what makes this part of the body of Christ unique; besides, the message was as brief as a powerpoint slide, and informative no less; the power word which spoke into my life being a question from John 21:22 - what is that to you?

Big trees; exquisite lawns; and old, pointy colleges; that's Cambridge in a nutshell. Sitting here, sipping on a half-pint of Woodforde's Wherry, I've had a leisurely, if not languorous, day so far; my sole duty consisting of walking around while absorbing the verdant environment as though a sponge, camera in tow.

I am back at the sublime beer, savoring a pint of Sharp's DoomBar before my fish and chips arrive; the drinking age is 18, but anyone whose visage even hints of youthful brilliance is likely to get carded these days, the bartender told me. The youth drinking culture here is almost as twisted as the university drinking culture in America.

My stay in Cambridge, relaxing and desultory as it may be, is about to end after this late lunch. I an not sure if there is anything left to see, save for the American graveyard which rests an impossible two miles away. I have had a wonderful time in this town; and am thankful for the access into its living history - the residents here must demonstrate remarkable patience and tolerance what with so many tourists ambling on the streets, peering - and photographing - into every nook and cranny.

13.4.09
There are no rubbish bins, yet I've seen on the streets many mixed race couples in which the men tend to be white - the women also belonging to a light colored ethnicity, usually some sort of Asian; as well saw some black dudes and Indian dudes with white chicks.

People here hold doors, even at the entrance to the toilet. Sometimes it appears as though they are going out on a limb, just waiting for the one who will take the responsibility for the door from them, at which point I rush out to relieve them of such a fortuitous burden.

I visited the British Museum this morning. The two hours I spent there did neither myself nor the exhibits any justice because there really is too much to survey, enough captivating stuff to last an entire day, I think. The bottomless well of artifacts from antiquity, drawing from sources as diverse as Korea, and Mesopotamia, is a credit to the British empire, without whose looting most of this amazing booty would be unavailable for our purview; better, I think, for these priceless treasures to be open to all in the grandest supermarket of history than away from human eyes, and worst yet, in the hands of unscrupulous collectors or in the rubbish bin, possibly.

Irene and I took in the ballet Giselle at The Royal Opera House in the afternoon. The building is a plush marvel, and a testament to this city's love for the arts. The ballet itself was satisfying, the first half being superior to the second, in which the nimble dancers demonstrated their phenomenal dexterity in, of all places, a graveyard covered in a cloak of smoke and darkness. I admit, their dance of the dead, in such a gloomy necropolis, did strike me as, strange.

Two amicable ladies from Kent convinced me to visit their hometown tomorrow, where, they told me, the authentic, "working" Leeds Castle and the mighty interesting home of Charles Darwin await.

I'm nursing a pint of Green King Ruddles and wondering about the profusion of British ales and lagers; the British have done a great deed for the world by creating an interminable line of low-alcohol session beers that can be enjoyed at breakfast, lunch, tea and dinner; and their disservice is this: besides this inexhaustible supply of cheap beer ensnaring my inner alcoholic, I feel myself putting on my freshman fifteen, almost ten years after the fact; I am going to have to run a bit harder back in Hong Kong if I want to burn all this malty fuel off.

Irene suggested I stop by the National Art Gallery since we were in the area; and it was an hour well spent. The gallery currently presents a special exhibit on Picasso, the non-ticketed section of which features several seductive renderings, including David spying on Bathsheba - repeated in clever variants - and parodies of other masters' works. Furthermore, the main gallery houses two fabulous portraits by Joshua Reynolds, who happens to be favorite of mine, he in life being a close friend of Samuel Johnson - I passed by Boswells, where its namesake first met Johnson, on my way to the opera house.

14.4.09
I prayed last night, and went through my list, lifting everyone on it up to the Lord. That felt good; that God is alive now, and ever present in my life and in the lives of my brothers and sisters.

Doubtless, then, I have felt quite wistful, as though a specter in the land of the living, being in a place where religious fervor, it seems, is a thing of the past, a trifling for many, to be hidden away in the opaque corners of centuries-old cathedrals that are more expensive tourist destinations than liberating homes of worship these days. Indeed, I have yet to see anyone pray, outside of the Easter service which I attended in Cambridge - for such an ecstatic moment in verily a grand church, would you believe that it was only attended by at most three dozen spirited ones. The people of England, and Europe in general, have, it is my hope, only locked away the Word, relegating it to the quiet vault of their hearts. May it be taken out in the sudden pause before mealtimes and in the still crisp mornings and cool, silent nights. There is still hope for a revival in this place, for faith to rise like that splendid sun every morning. God would love to rescue them, to deliver them in this day, it is certain.

I wonder what Londoners think, if anything at all, about their police state which, like a vine in the shadows, has taken root in all corners of daily life, from the terrorist notifications in the underground, which implore Londoners to report all things suspicious, to the pair of dogs which eagerly stroll through Euston. What makes this all the more incredible is the fact that even the United States, the indomitable nemesis of the fledgling, rebel order, doesn't dare bombard its citizens with such fear mongering these days, especially with Obama in office; maybe we've grown wise in these past few years to the dubious returns of surrendering civil liberties to the state, of having our bags checked everywhere - London Eye; Hairspray; and The Royal Opera House check bags in London while the museums do not; somehow, that doesn't add up for me.

I'm in a majestic bookshop on New Street in Birmingham, and certainly to confirm my suspicions, there are just as many books on the death of Christianity in Britain as there are books which attempt to murder Christianity everywhere. I did find, however, a nice biography on John Wesley by Roy Hattersley and The Screwtape Letters by C.S. Lewis. I may pick up the former.

Lunch with Sally was pleasant and mirthful. We dined at a French restaurant nearby New Street - yes, Birmingham is a cultural capitol! Sally and I both tried their omelette, while her boyfriend had the fish, without chips. Conversation was light, the levity was there and so was our reminiscing about those fleeting moments during our first year in Hong Kong; it is amazing how friendships can resume so suddenly with a smile. On their recommendation, I am on my way to Warwick Castle - they also suggested that I visit Cadbury World, but they cannot take on additional visitors at the moment, the tourist office staff informed me, much to my disappointment!

Visiting Warwick Castle really made for a great day out. The castle, parts of which were established by William the Conquerer in 1068, is as much a kitschy tourist trap as a meticulous preservation of history, at times a sillier version of Ocean Park while at others a dignified dedication to a most glorious, inexorably English past. The castle caters to all visitors; and not surprisingly, that which delighted all audiences was a giant trebuchet siege engine, which for the five p.m. performance hurled a fireball high and far into the air - fantastic! Taliban beware!

15.4.09
I'm leaving on a jet plane this evening; don't know when I'll be back in England again. I'll miss this quirky, yet endearing place; and that I shall miss Irene and Tom who so generously welcomed me into their home, fed me, and suffered my use of their toilet and shower goes without saying. I'm grateful for God's many blessings on this trip.

On the itinerary today is a trip to John Wesley's home, followed by a visit to the Imperial War Museum. Already this morning I picked up a tube of Oilatum, a week late perhaps, which Teri recommended I use to treat this obstinate, dermal weakness of mine - I'm happy to report that my skin has stopped crying.

John Wesley's home is alive and well. Services are still held in the chapel everyday; and its crypt, so far from being a cellar for the dead, is a bright, spacious museum in which all things Wesley are on display - I never realized how much of an iconic figure he became in England; at the height of this idol frenzy, ironic in itself, he must have been as popular as the Beatles were at their apex. The house itself is a multi-story edifice with narrow, precipitous staircases and spacious rooms decorated in an 18th century fashion.

I found Samuel Johnson's house within a maze of red brick hidden alongside Fleet Street. To be in the home of the man who wrote the English dictionary, and whose indefatigable love for obscure words became the inspiration for my own lexical obsession, this, by far, is the climax of my visit to England! The best certainly has been saved for last.

There are a multitude of portraits hanging around the house like ornaments on a tree. Every likeness has its own story, meticulously retold on the crib sheets in each room. Celebrities abound, including David Garrick and Sir Joshua Reynolds, who painted several of the finer images in the house. I have developed a particular affinity for Oliver Goldsmith, of whom Boswell writes, "His person was short, his countenance coarse and vulgar, his deportment that of a scholar awkwardly affecting the easy gentleman. It appears as though I, too, could use a more flattering description of myself!

I regretfully couldn't stop to try the curry in England; I guess the CityU canteen's take on the dish will have to do. I did, however, have the opportune task of flirting with the cute Cathay Pacific counter staff who checked me in. She was gorgeous in red, light powder on her cheeks, with real diamond earrings, she said; and her small, delicate face, commanded by a posh British accent rendered her positively irresistible, electrifying. Not only did she grant me an aisle seat but she had the gumption to return my fawning with zest; she must be a pro at this by now.

I saw her again as she was pulling double-duty, collecting tickets prior to boarding. She remembered my quest for curry; and in the fog of infatuation, where nary a man has been made, I fumbled my words like the sloppy kid who has had too much punch. I am just an amateur, alas, an "Oliver Goldsmith" with the ladies - I got no game - booyah!

Some final, consequential bits: because of the chavs, Burberry no longer sells those fashionable baseball caps; because of the IRA, rubbish bins are no longer a commodity on the streets of London, and as a result, the streets and the Underground of the city are a soiled mess; and because of other terrorists from distant, more arid lands, going through a Western airport has taken on the tedium of perfunctory procedure that doesn't make me feel any safer from my invisible enemies.

At last, I saw so many Indians working at Heathrow that I could have easily mistaken the place for Mumbai. Their presence surprised me because their portion of the general population surely must be less than their portion of Heathrow staff, indicating some mysterious hiring bias. Regardless, they do a superb job with cursory airport checks, and in general are absurdly funny and witty when not tactless.

That's all for England!

Nice Design House Games photos

Game Design Open House
design house games
Image by vancouverfilmschool
Game Design Open House attendees had the chance to enjoy an Alumni Arcade featuring hit games that VFS Game Design grads helped to create – in this case, it’s Saints Row 2.

Learn about Game Design Expo at gamedesignexpo.com.

Find out more about VFS's one-year Game Design program at vfs.com/gamedesign


Game Design Expo 2011 Open House
design house games
Image by vancouverfilmschool
Dave Warfield, Head of Game Design at VFS, talks with an aspiring game designer.

Learn about Game Design Expo at gamedesignexpo.com.

Find out more about VFS's one-year Game Design program at vfs.com/gamedesign


Game Design Open House
design house games
Image by vancouverfilmschool
Game Design Open House attendees in the Level Design class, led by instructor Lanh Doan.

Learn about Game Design Expo at gamedesignexpo.com.

Find out more about VFS's one-year Game Design program at vfs.com/gamedesign


Game Design Open House
design house games
Image by vancouverfilmschool
Game Design Open House attendees had the chance to mingle and find out more about the school and upcoming events, like the Summer Intensives (http://www.vfs.com/summer2010).

Learn about Game Design Expo at gamedesignexpo.com.

Find out more about VFS's one-year Game Design program at vfs.com/gamedesign


Game Design Open House
design house games
Image by vancouverfilmschool
Game Design Open House attendees had the chance to sit in on sample classes taught by VFS instructors. Here, Paul Jensen discusses the art of storytelling for games.

Learn about Game Design Expo at gamedesignexpo.com.

Find out more about VFS's one-year Game Design program at vfs.com/gamedesign

SFAI - Walter and McBean Galleries: Anti-Advertising Agency and Finishing School, 2005

SFAI - Walter and McBean Galleries: Anti-Advertising Agency and Finishing School, 2005
free house design tool
Image by finishing-school
Offices of the Anti Advertising Agency and www.delocator.net

Two exhibitions by the artists' collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute's Walter and McBean Galleries for the month of April and into May.

The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency's counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.

To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.

Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency's message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn't rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.

Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.

During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.

Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.

Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."

The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.


SFAI - Walter and McBean Galleries: Anti-Advertising Agency and Finishing School, 2005
free house design tool
Image by finishing-school
Offices of the Anti Advertising Agency and www.delocator.net

Two exhibitions by the artists' collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute's Walter and McBean Galleries for the month of April and into May.

The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency's counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.

To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.

Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency's message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn't rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.

Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.

During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.

Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.

Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."

The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.


SFAI - Walter and McBean Galleries: Anti-Advertising Agency and Finishing School, 2005
free house design tool
Image by finishing-school
Offices of the Anti Advertising Agency and www.delocator.net

Two exhibitions by the artists' collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute's Walter and McBean Galleries for the month of April and into May.

The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency's counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.

To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.

Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency's message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn't rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.

Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.

During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.

Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.

Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."

The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.


SFAI - Walter and McBean Galleries: Anti-Advertising Agency and Finishing School, 2005
free house design tool
Image by finishing-school
Offices of the Anti Advertising Agency and www.delocator.net

Two exhibitions by the artists' collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute's Walter and McBean Galleries for the month of April and into May.

The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency's counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.

To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.

Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency's message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn't rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.

Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.

During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.

Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.

Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."

The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.


SFAI - Walter and McBean Galleries: Anti-Advertising Agency and Finishing School, 2005
free house design tool
Image by finishing-school
Offices of the Anti Advertising Agency and www.delocator.net

Two exhibitions by the artists' collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute's Walter and McBean Galleries for the month of April and into May.

The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency's counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.

To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.

Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency's message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn't rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.

Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.

During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.

Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.

Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."

The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.